Look Away assessment – horrifying tales of abuse by the hands of male rock stars – The Guardian

Look Away assessment – horrifying tales of abuse by the hands of male rock stars – The Guardian

TV review

These interviews with the so-called ‘child groupies’ of the 70s and 80s reveal why the music trade desperately wants its personal #MeToo second

Look Away (Sky Documentaries) is a documentary that appears instantly on the music trade’s attitudes to and abuse of the younger women who had been – and we are able to assume nonetheless are – pushed or pulled into musicians’ orbits. The movie’s title comes from a observe of the identical identify on Iggy Pop’s 1996 album Naughty Little Doggie, which is a “tribute” to one of the crucial well-known “child groupies” on Sundown Strip within the 70s, Sable Starr. “I slept with Sable when she was 13 / Her dad and mom had been too wealthy to do something / She rocked her method round LA / ’Til a New York Doll carried her away.” Phrases aren’t deeds, after all, although Starr did run away from residence to stay with a member of the Dolls in NYC at 16, and knew Iggy Pop at the moment.

“So many little woman songs,” notes Kari Krome, songwriter and co-founder of the Runaways. She was a witness to and frequent sufferer of the exploitation by older males of younger women who got here to Hollywood; she recounts a rape and an assault, and also you sense that that is merely the tip of her private iceberg of trauma. Look Away is constructed spherical intensive interviews together with her, the Runaways’ bass guitarist, Jackie Fuchs, and Julia Holcomb. Holcomb met Aerosmith’s frontman, Steven Tyler, when she was 16, grew to become his lover, ward (he obtained her mom to signal over custody so he may cross state traces together with her on tour with out being arrested), and fiancee in that order. He obtained her pregnant then pressured her into an abortion, she says, then despatched her residence.

Fuchs offers a exact account of her rape in a crowded room by her band’s supervisor, Kim Fowley, after he’d had her drugged. She provides: “And now we cease speaking about this as a result of I feel there are individuals on the market who simply feed off watching girls cry speaking about their sexual assault. And I simply wish to say – for those who’re one among them: fuck you. Your time is over.”

It’s a superb level effectively made and, happily, embedded in an clever movie that does a advantageous job of avoiding prurience whereas describing a world through which horrible issues occurred with out anybody actually noticing or, in the event that they did, caring. Holcomb vividly remembers the one man who noticed her (in a costume Tyler picked out that made her look significantly younger) and tried to intervene throughout her years with the star.

The interviews with the three girls are supplemented with testimony from others on the scene within the 70s and 80s. Not simply others on the “victimised” facet of the road, however these we’d name representatives of the opposite facet, too. The moneymaking rock stars had been protected against penalties and thus enabled by the businesses they enriched. Aerosmith’s tour supervisor Bob Kelleher remembers: “There have been half a dozen women within the dressing room. Julia was getting used as bait – the opposite women had been older and never as enticing.” However he notes, as if it had been exculpatory: “Folks weren’t doing ID checks. That didn’t occur.” Weapons N’ Roses’ supervisor Vicky Hamilton let singer Axl Rose conceal from the police in her home after a younger girl pressed expenses in opposition to him as a result of: “My job was to take care of the band.” (The case was dropped resulting from lack of proof.) Going after kids was so prevalent that for the boys, as Hamilton breezily places it, “There was no disgrace of their sport.” Sheila Kennedy’s subsequent description of her personal time with Rose explains the place it went as a substitute. “I carried all of the dirtiness of him … Why doesn’t he really feel that? I can say this now – I didn’t deserve any of that. And disgrace on him.”

A number of interviewees categorical the hope that this movie would be the begin of the music trade’s specific reckoning within the #MeToo age. Hopefully will probably be. It’s going to additionally give additional visibility and credence to the concept that – merely put – girls don’t make it up. It’s going to take those that nonetheless want to finish the journey additional down the highway to the realisation that man’s inhumanity to girl is a deep, enduring a part of all our lives all through historical past, all through the current, no matter sector or demographic or area you care to look at. No, #notallmen, however all the time some males and all the time – particularly when the traditional restraints are loosened by cash, energy or fame – extra males than you assume.



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