Look Away overview – horrifying tales of abuse by the hands of male rock stars – The Guardian

Look Away overview – horrifying tales of abuse by the hands of male rock stars – The Guardian

TV review

These interviews with the so-called ‘child groupies’ of the 70s and 80s reveal why the music business desperately wants its personal #MeToo second

Look Away (Sky Documentaries) is a documentary that appears straight on the music business’s attitudes to and abuse of the younger women who had been – and we are able to assume nonetheless are – pushed or pulled into musicians’ orbits. The movie’s title comes from a monitor of the identical identify on Iggy Pop’s 1996 album Naughty Little Doggie, which is a “tribute” to probably the most well-known “child groupies” on Sundown Strip within the 70s, Sable Starr. “I slept with Sable when she was 13 / Her dad and mom had been too wealthy to do something / She rocked her method round LA / ’Til a New York Doll carried her away.” Phrases are usually not deeds, after all, although Starr did run away from residence to reside with a member of the Dolls in NYC at 16, and knew Iggy Pop at the moment.

“So many little woman songs,” notes Kari Krome, songwriter and co-founder of the Runaways. She was a witness to and frequent sufferer of the exploitation by older males of younger women who got here to Hollywood; she recounts a rape and an assault, and also you sense that that is merely the tip of her private iceberg of trauma. Look Away is constructed spherical intensive interviews along with her, the Runaways’ bass guitarist, Jackie Fuchs, and Julia Holcomb. Holcomb met Aerosmith’s frontman, Steven Tyler, when she was 16, grew to become his lover, ward (he acquired her mom to signal over custody so he may cross state strains along with her on tour with out being arrested), and fiancee in that order. He acquired her pregnant then pressured her into an abortion, she says, then despatched her residence.

Fuchs provides a exact account of her rape in a crowded room by her band’s supervisor, Kim Fowley, after he’d had her drugged. She provides: “And now we cease speaking about this as a result of I feel there are folks on the market who simply feed off watching girls cry speaking about their sexual assault. And I simply wish to say – if you happen to’re considered one of them: fuck you. Your time is over.”

It’s a great level effectively made and, fortuitously, embedded in an clever movie that does a high-quality job of avoiding prurience whereas describing a world during which horrible issues occurred with out anybody actually noticing or, in the event that they did, caring. Holcomb vividly remembers the one man who noticed her (in a costume Tyler picked out that made her look notably younger) and tried to intervene throughout her years with the star.

The interviews with the three girls are supplemented with testimony from others on the scene within the 70s and 80s. Not simply others on the “victimised” aspect of the road, however these we’d name representatives of the opposite aspect, too. The moneymaking rock stars had been shielded from penalties and thus enabled by the businesses they enriched. Aerosmith’s tour supervisor Bob Kelleher remembers: “There have been half a dozen women within the dressing room. Julia was getting used as bait – the opposite women had been older and never as enticing.” However he notes, as if it had been exculpatory: “Individuals weren’t doing ID checks. That didn’t occur.” Weapons N’ Roses’ supervisor Vicky Hamilton let singer Axl Rose conceal from the police in her home after a younger girl pressed costs towards him as a result of: “My job was to take care of the band.” (The case was dropped as a consequence of lack of proof.) Going after children was so prevalent that for the lads, as Hamilton breezily places it, “There was no disgrace of their recreation.” Sheila Kennedy’s subsequent description of her personal time with Rose explains the place it went as an alternative. “I carried all of the dirtiness of him … Why doesn’t he really feel that? I can say this now – I didn’t deserve any of that. And disgrace on him.”

A number of interviewees specific the hope that this movie would be the begin of the music business’s specific reckoning within the #MeToo age. Hopefully will probably be. It can additionally give additional visibility and credence to the concept that – merely put – girls do not make it up. It can take those that nonetheless want to finish the journey additional down the highway to the realisation that man’s inhumanity to girl is a deep, enduring a part of all our lives all through historical past, all through the current, no matter sector or demographic or area you care to look at. No, #notallmen, however at all times some males and at all times – particularly when the traditional restraints are loosened by cash, energy or fame – extra males than you suppose.

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