Jason Colavito tells the story of a charlatan/showman who made a living with stage props, pretty assistants, and whole lot of deceit and copyright infringement. It seems Kara Klum may have been the most exploitative “medium” of the 1950s. In looking at posters for his stage show, we have to conclude that he drew his audiences from the same crowds that gathered to stare at train wrecks and building demolitions. Next, a woman is South Africa has been coping with an unusual situation: Leave Me Alone, Mom—You’re Dead! is the result of a closed casket service causing the daughter of the dearly departed to be haunted by dreams of a mother-zombie, one who isn’t so easily dispatched as those on Netflix. If the funeral industry gets hold of this story, you can bet their prices will go straight up—and start including anti-reanimation services. (CM)
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